Who's afraid of a little snow?

I may be in the minority but I love a good snow storm.  Since I work from home, it takes away the stress of the situation and allows me to enjoy the beauty of the day. I often will take a long walk through the snow after a blizzard with my camera at the ready. Everything is clean and shiny and pretty after a snow.

With the holidays coming up I was brainstorming what I could add to my booth at the Galleria that might sell well during the holiday season. Greeting cards have been on my list for a while so I beyond the cards I already had in mind, I decided to develop a line of cards inspired by winter.

Of the images below, I've chosen to make cards from the snowman image, the winter trees, the snowflake and the snow angel. I'm also printing a series of penguins, and some of my still lifes of fruits and vegetables, sixteen designs all together. Envelopes and packaging are on order and all should be delivered by the middle of next week. Can't wait to see how they turn out!

[nggallery id=20]


Cleaning house and inspiration

Featured above: "Up early" - watercolor painting inspired by Milly's garden

For every finished painting, there are also a few that are started and then set aside. They're always in the back of my mind as I am working on other things, waiting for the day I am inspired to finish them up.

I finally took some time this weekend to give some attention to five paintings that have been sitting half finished for a while. Quite a sense of accomplishment. Most of them were started back in August when I was on vacation in Canada.

One of them, "Up early" (pictured at left) was started a year ago and based on a photo taken of my Aunt Milly's garden - a splendid and remarkable place. Forty years of nurturing have gone into her creation of this masterpiece which surrounds her home on the coast of Lake Superior in a little town called Cornucopia, Wisconsin. Many of my paintings are inspired by Milly's garden, including all the images in the presentation below.

[nggallery id=17]




For the birds

I've been seeing them everywhere - birds have taken over the interiors and fashion industries in recent years. My head has been turned - so many cute little tweeters everywhere I look. So, inspired by what I'm seeing around me, I thought I'd jump in and try some monoprints with birds as the subject.

For the birds? You tell me. Below are the series finished this weekend.


A week of art

I just got back from a week in Canada hosted by my lovely upstairs neighbors. We stayed in a cabin overlooking a beautiful lake (photo at left) in Nestor Falls, Ontario and I spent the entire week soaking up the beauty of the place, snapping pics for future inspiration and ... wait for it... painting.

I painted most of the week (when not eating, sleeping or goofing off with my friends). I got 7 paintings going and wanted to share them here (see below).

They're all in various stages of done-ness and will finalize all of them soon. I'd love your input if you'd like to share your thoughts. Please leave me a comment! 🙂

[nggallery id=12]


Shadows and daylilies, installment 2

A couple weeks ago I wrote an in-progress blog post about a new painting, "Shadows and daylilies".  I've been working on it on and off since then and I wanted to post another installment. It was inspired by a photo I took outside of Galter Life Center in Chicago. That day the sun was hitting the day lilies in such a beautiful way that I knew right away I wanted to try and paint it.

I'm at that point right now where I'm not positive if I should stop before I ruin it, or if I should continue and try to take it further. Yesterday I thought the painting was done but now the more I look at it I am feeling like the painting is about 75% there.

So - I'm going to keep going. Next step is to start working into the areas of shadow with more depth and to add some slivers of shadows in the areas of light. I'm excited to get back to it!




Pictured above, "Rolling", watercolor, 32" x 40" framed.

Browsing through Facebook I saw a couple beautiful ocean shots taken by my friend Celia. (I occasionally scroll through Celia's albums because she's got an amazing eye. This is not the first painting I did inspired by her photography).

I've been looking for some subject matter that would translate well to a large canvas and my aesthetic, and that had a tendency toward abstraction. Celia's photos felt like the perfect inspiration. Following are two large scale (22" x 30") paintings finished today. I think I may be on to something here.

"Break", watercolor painting by Rochelle Weiner

"Break", watercolor painting by Rochelle Weiner


Sun through trees series

I've been getting so many positive responses to my original "Sun through trees" based on a lesson by Karlyn Holman, that I decided to try another one. Kind of fun. The success is all in the vibrant color and the perspective of the shadows. Maybe next time I'll try it grand sized.

Pictured above, "Autumn shine", measures 11" x 15", framed original $400, framed print $150, matted print $50


Size counts

(Pictured above, "Roadside daffodils", watercolor painting, measures 22" x 30", framed original $800.)

For a long time I've been trying to "get big" with my paintings. If you're not familiar with watercolor paintings, it's kind of hard to work big.

First of all since the medium is watery, it makes it mostly impossible to work on an easel - the paint just runs right off. Ok, good for some effects but for the most part it's important to work flat. So, a big piece of paper can get unwieldy, not to mention it's difficult to keep your perspective on a large sheet lying flat in front of you. Best solution I've found so far is to start with a really good drawing which you complete upright on an easel and then when it's lying flat you just follow your drawing.

The second issue is that you have to work fast to make sure the color you put down doesn't dry before you get a chance to make sure you've had a chance to achieve the affect you planned. Trick here is to work big very wet, then put in the details in smaller manageable sections.

However - I love big paintings. The bigger the better. And I have the impression that gallery owners appreciate scale as well - the bigger the painting the higher the ticket price. All good. So - I keep trying to work bigger  - practice, practice, practice.

Following are two large scale paintings just finished this weekend.


Title: "Yellows", watercolor painting, measures 22" x 30", framed original $800.


Sign up for the mailing list.

©2024 Rochelle Weiner Carr Fine Art, All Rights Reserved