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Rochelle Weiner originals on Network TV

Wow - I am super thrilled. Jean Leigh of The Leigh Gallery in Chicago sold 2 of my paintings to the set of NBC's new series, Chicago Fire. I can't wait to see my work on TV! If you're watching, keep an eye out for these two  fall scenes. They're about 15" x 15" in size. I'm hoping to see them in some recurring set - an office space, one of the featured stars homes... something like that. But I'm only guessing here. (Really hoping they don't burn them!)

The pilot premiers tonight on NBC - and will be showing Wednesdays at 9pm Central.

Here are the paintings:

"Birches" sold to the set of NBC's Chicago Fire

"Fall Birch" sold to the set of NBC's Chicago Fire

Post Update: The paintings have been spotted! They are in lead role Matt Casey's living room, hanging above his couch! As far viewed clearly on Episodes 14 and 15.

Post Update: More paintings to be on NBC's Chicago Fire!

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Painting in thirds

Three years in a row  I've taken a week-long watercolor workshop with Karlyn Holman, in Washburn Wisconsin. I find this woman so inspiring - not only is she a truly gifted artist and painting instructor - but she also has such a verve for life you can't help get wrapped up in her exuberance.

During the first workshop I attended in 2010 she told a story about teaching to a group of women in Ireland. She told us the same thing she told them - try dividing your full sheet watercolor paper in thirds, to make three separate paintings measuring 10" x 22". Karlyn claims that this odd size painting is very marketable, since most people have some awkward wall in their house that just needs something. Paintings this size tend to fit those spaces perfectly.

Between giggles Karlyn reported how confused she was at first when the Irish ladies kept asking about the turds... "Karlyn - are we supposed to be working on our turds today?"... "Karlyn - how do we make a turd again?"... Giggles all round. Oh yes, a little potty humor is not beneath us. Ever since then I can't call these size paintings anything but "turds". Karlyn - you are the best.

Following is a series of "Turds" that I have completed recently.

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Getting myself back into fine art

 

Artist's Statement

“I experience true moments of peace while I'm painting.”

When I was little, whenever my brother and I would complain we were bored, mom used to sit us down with paper and crayons and let us go. This was my start as an artist.

In school art was always where I excelled most and in my youth you would usually find me in the midst of creating something. I have attempted many mediums - drawing, painting, sewing, knitting, crocheting, embroidery, carving, collage, photography, weaving, rug hooking and macrame (yes, I am a child of the 70s). By age eleven you'd find me checking how-to books out of the library on such subjects as cross stitch or drawing cartoon characters.

When I went to college, I decided to study fine art. I took classes in ceramics, sculpture, printmaking, metalsmithing, fiber art, film making, oil painting, watercolor and drawing. I learned about color, composition, shape and line...techniques, tools and materials...drama, content and meaning. I learned from my teachers, other students, and from studying the masters.

I graduated with honors from the University of Wisconsin-Milwaukee with a degree in Painting and Drawing and a minor Art History, but on graduation immediately set down my brushes and began a career in graphic design. While I had learned all about how to make art while in school, there was absolutely no formal training in what to do after you graduate. Plus my mom, ever the realist, quipped "You know another name for a professional artist?... a waitress." An ironic comment coming from someone who is an artist herself.

Now - I have nothing against a career in food service - but even at that young age I knew it was not where I would excel. And I'd just spent the previous few years and lots of money learning to be an artist. Fortunately during that time I'd also been working part-time in a quick print shop in order to pay school bills and support myself, and at that job I'd learned about desktop publishing. So, while I had no idea how to make a living in fine art, I knew I could make a living as a graphic designer.

It's now nearly 20 years later and I am a successful designer. Since 1998 I have been running my own business, Andiamo Creative - a graphic design and web development studio in Chicago. I have worked with hundreds of clients in both the US and Europe and my company is currently undergoing a big growth period.

I created very little art since graduating, and many times friends and family have asked, "What about your painting?" I had a good response for that - I would always say, "I use my creativity all day as part of my job, which leaves me with no juice to do anything creative during my free moments." That makes sense, doesn't it? Well, I can see now that was a major cop-out.

The turning point

What changed everything was the decision to take a watercolor class in June 2010. My mother, my Aunt Milly and I took a class with Karlyn Holman in Washburn, Wisconsin. It was a week-long seminar, during which time Karlyn teaches the class several different techniques that she's honed in her successful career as a watercolor artist.

We had an amazing time! Every day, mom, Milly and I arrived super early and started work immediately. The next moment I would look up and the day was over. I was so into it, I totally lost track of time. By the middle of the week our table earned the nickname "the over-achievers". The week flew by.

Walking through the door

I took stock and realized that the only times this phenomenon has happened to me - losing time like that - has been while I am creating art. I think these lost moments are doorways into your true soul, your passion as a human being, and the point of your existence on this earth. Through that door is boundless energy and creative juice. I have come to the realization that if you find this kind of thing in your life, you must go through that door.

So, since that class in June 2010, I have been a daily painter. I've finished over 120 paintings to date and I am still making more. There are always more ideas, way more than I have time to pursue. Mom, Milly and I took another class with Karlyn in April 2011 and I'm looking into other classes I can take. I have started showing my work at the Chicago Art Gallery, the Andersonville Galleria and have recently joined the Illinois Watercolor Society.

My main joy as an artist is the act of creation itself. I am inspired by everything around me - from garden flowers to spectacular views to the light in children's faces to patterns amongst chaos. I think my overriding style is not so much attached to my subject matter but can be seen in how I use color and line and form. Bold composition and hues are the running theme throughout my work. And if my efforts are appreciated by others, that means joy all around.

Crossover

The fact that I have a background in fine art gives me an edge in graphic design since I see a  project from a fine art standpoint as well as from a graphic design standpoint. Plus I am one of the few designers around who can actually draw (since the advent of the computer we are a waning crowd). This means throughout my career I have been able to offer my clients professional illustration in addition to graphic design. However, it is also true that my years working in graphic design have increased my mastery of composition, color and drawing ten-fold. The lessons I've learned throughout the years in graphic design have made me a much more circumspect artist. Certainly the business lessons cross over as well, and I am working out how to make a living as a full-time artist. But for now both careers co-exist and are moving forward at full speed.

The most important thing I have learned is that the creative juice it takes for me to be a graphic designer is completely different from the juice I have for creating my own art. And happily, the darn jug overflows.

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Return customer

Brian Kozlowski hired me a few months ago do create a portrait of his partner's parents as a surprise gift. He and his partner Jonathan Carbonell were so happy with the result that they came back and commissioned a second portrait, this time of Brian's parents. I'm thrilled to present a photo they sent me of both portraits now hanging together in their house!

Looks great guys! This tableau looks fantastic! Thank you so much for sharing! 🙂

And here are close ups of the completed paintings:

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Sold!

I love it when a client sends me a photo of my work on their walls.

Leslie Anagnostakis of New York recently bought two of my original paintings (thank you Leslie!) She purchased "Autumn Shine" for her sister, and "Rita's Back Yard" for herself. I was so excited to get the following photo! I think it's fabulous in this spot!

Thank you Leslie, for sharing! Love it!

And here are close ups of the two paintings:

 

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90 degree winter

It's been so hot in Chicago lately that I was inspired to paint a couple winter landscapes, below. Nearly monochromatic, these were created using only four paint colors - 3 blue hues and one red. I am totally digging the stark quality.

"Winter path" - original watercolor painting by Rochelle Weiner

"Frozen Morning", original watercolor painting by Chicago artist, Rochelle Weiner

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Spring further

I have continued working on the study from the previous post, "Spring Forest". I have posted both versions of the painting below for comparison.

I deepened shadows, pulled out yellows and whites and created more of a focal point with dappled light filtering through the right side of the painting. I experimented with a new medium as well - gouache - which is a water-based paint like watercolor only opaque. So I can retrieve some lights that I'd lost in the process of working out this composition. I also added a lot more details in the foreground and in the tree tops. I think it's made a very big difference to the success of this painting.

I plan to try it large scale next.

Spring Forest, study in watercolor and gouache on paper, by Chicago artist, Rochelle Weiner

Earlier version of same painting

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Chicago spring

This spring has been so unusually warm and pleasant that Chicago has sprung into green more quickly than usual. I snapped a few photos recently in a forest near my house and here's first attempt at capturing the moment in watercolor. This painting is basically a study - a small version (11" x 15") working out some ideas - I'd like make a much larger painting based on this composition. Fun though.

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Developments in wax

(Pictured above, Tippi's Daydream, encaustic)

About a month ago I took a class at Shake Rag Alley in Mineral Point, Wisconsin. The instructor's name was Jeffrey Hirst, he was teaching encaustic painting, what a revelation!

Encaustic painting is a method of painting with liquid wax mixed with color, with roots going as bar back as Ancient Greece. I'd been aware of encaustic painting for many years but had never had the chance to try it before - and I think I may be hooked. Over the course of that 3 day class I completed 10 paintings - holy moly! I made it my first order of business on returning to stock up on the equipment and materials and give it a try at home.

This weekend was my first chance to sit down and do some work. Jeff taught us many techniques - painting with wax, fusing methods, image transfers, collage, stencils, etching, carving, etc. It really got my mind going - how can I combine this new medium with what I've been working on already? Following are a series of encaustic paintings finished this weekend which display my first try.

Above, "Tippi's daydream" is a small work on a cradled board. It measures 6.5" x 7.5" and 1" deep, and it is mixing the encaustic style with my "Discarded Memories" series I've been working on. I started by layering colored wax on the board, and then transferred a charcoal sketch inspired by a vintage photo portrait I'd purchased an antique shop. I then started working into the sketch with wax, laying over blocks of color and then transferring the charcoal drawings of the birds. Once that cooled I worked back in again with more layers of painted wax, and then etched in the lines finishing by rubbing oil paint into the etched lines.

I've also been working on a series of nudes - attending a weekly painting from life session with a few fellow artists. Below, "Moment" combines the nudes with encaustics. This was a simpler process than the above. I started with a 12" x 12" board and started layering wax - warm tones mostly, and letting it be a little pockmarked and messy. I then did a charcoal drawing based on a painting I'd finished this weekend and transferred it to the wax painting. I finished by rubbing oil paint across the entire surface to enhance the pockmarks and irregularities in the surface.

"Moment", encaustic painting by Rochelle Weiner

Below, "Still Wind" was a very similar process to the above "Moment" - layers of wax, charcoal drawing transfer, oil paint rub. The only difference is that before the oil paint I etched in the wavy curly lines to suggest wind and movement to juxtapose the stillness of the seated model.

"Still Wind", encaustic painting by Rochelle Weiner

 

 

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